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Fractured Compound
2009 |
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Fractured Compound
was written for the United States Coast Guard Saxophone Quartet. This
three-movement work is similar to many of my other works in its
exploration of juxtoposition as a primary organizitional and aesthetic
element. The inspiration in this case is primarily geologic. I have
always been fascinated by the drive through Wyoming, where the
landscape is often broken up by large, imposing structures that take a
myriad of forms. These structures appear immobile and everlasting on
the one hand, but at times fragile, unbalanced, artificial, and ready
to collapse on the other. Always they seem to be silent monuments to a
violent past. In much of the present work, sound compounds (the rock
formations of the work) consist of various arrangements of melody,
ostinati, and/or textural filler. I then employed several methods of
fracturing these sound chunks, particularly in the jagged, abrupt
changes that occur from one chunk to the next, and also in the “broken
record” technique of repeating a fragment over and over and over.
Otherwise the work is quite old-fashioned, with its fortspinnung
melodies and toccata, adagio, and fugue (and then more toccata) layout. |
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